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Online Research @ Cardiff

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Number of items: 21.

Hamad, Hannah 2020. ‘Nice shoes’: Will Smith, mid-2000s (post) racial discourse and the symbolic significance of shoes in I, Robot (Alex Proyas, 2004) and The Pursuit of Happyness (Gabriele Muccino, 2006). In: Ezra, Elizabeth and Wheatley, Catherine eds. Shoe Reels: The History and Philosophy of Footwear in Film, Edinburgh University Press,

Hamad, Hannah 2020. The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire ripper murders. In: Fenwick, James, Foster, Kieran and Eldridge, David eds. Shadow Cinema: The Historical and Production Contexts of Unmade Films, Bloomsbury Academic,

Hamad, Hannah 2020. Bromance. The International Encyclopedia of Gender, Media, and Communication, Wiley, (\10.1002/9781119429128.iegmc137)

Hamad, Hannah 2020. Gender politics and celebrity. The International Encyclopedia of Gender, Media, and Communication, Wiley, (10.1002/9781119429128.iegmc209)

Hamad, Hannah 2020. ''I Will Be with You, Whatever': Blair and Bush's Baghdadi bromance'. In: Brickman, Barbara Jane, Jermyn, Deborah and Trost, Theodore Louis eds. Love Across the Atlantic: US-UK Romance in Popular Culture, Edinburgh: Edinburgh University Press,

Cobb, Shelley and Hamad, Hannah 2018. “That, My Friend, Is What They Call… Closure”: The one with the Friends finale. In: Howard, Douglas and Bianculli, David eds. Finale: Considering the Ends of Television Series: From Howdy Doody to Girls, Syracuse, New York: Syracuse University Press,

Hamad, Hannah 2018. The one with the feminist critique: revisiting millennial postfeminism with Friends. Television and New Media 19 (8) , pp. 692-707. 10.1177/1527476418779624

Cobb, Shelley, Ewen, Neil and Hamad, Hannah 2018. Friends reconsidered: Cultural politics, intergenerationality, and afterlives. Television and New Media 19 (8) , p. 683. 10.1177/1527476418778426

Hamad, Hannah 2018. Celebrity in the contemporary era. In: Elliott, Anthony ed. Routledge Handbook of Celebrity Studies, Routledge International Handbooks, New York and London: Routledge, pp. 44-57.

Hamad, Hannah 2016. Contemporary medical television and crisis in the NHS. Critical Studies in Television 11 (2) , pp. 136-150. 10.1177/1749602016645778

Hamad, Hannah 2015. Eddie Murphy’s baby mama drama and Smith family values: the (post-) racial familial politics of Hollywood celebrity couples. In: Cobb, Shelley and Ewen, Neil eds. First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics, London and New York: Bloomsbury, pp. 116-132.

Hamad, Hannah 2015. “I’m Not Past My Sell By Date Yet!”: Sarah Jane’s adventures in postfeminist rejuvenation and the later life celebrity of Elisabeth Sladen. In: Jermyn, Deborah and Holmes, Susan eds. Women, Celebrity and Cultures of Ageing: Freeze Frame, Basingstoke and New York: Palgrave Macmillan, pp. 162-177.

Hamad, Hannah 2014. Paternalising the rejuvenation of later life masculinity in twenty-first century film. In: Whelehan, Imelda and Gwynne, Joel eds. Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones, Palgrave Macmillan, pp. 105-119.

Hamad, Hannah 2014. Fairy jobmother to the rescue: postfeminism and the recessionary cultures of reality TV. In: Negra, Diane and Tasker, Yvonne eds. Gendering the Recession: Media and Culture in an Age of Austerity, Durham and London: Duke University Press, pp. 223-245. (10.1215/9780822376538-010)
Item availability restricted.

Hamad, Hannah 2014. “Don’t let him take Britain back to the 1980s”: Ashes to Ashes as postfeminist recession television. Continuum , pp. 201-212. 10.1080/10304312.2014.888041

Hamad, Hannah 2013. Postfeminism and paternity in contemporary US film: Framing fatherhood. Advances in Film Studies, New York and London: Routledge.

Hamad, Hannah 2013. Hollywood fatherhood: paternal Postfeminism in contemporary popular cinema. In: Gwynne, Joel and Muller, Nadine eds. Postfeminism and Contemporary Hollywood Cinema, Basingstoke and New York: Palgrave Macmillan, pp. 99-115.

Hamad, Hannah 2011. Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005). In: Radner, Hilary and Stringer, Rebecca eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema, London and New York: Routledge, pp. 241-254.

Godfrey, Sarah and Hamad, Hannah 2011. Save the cheerleader, save the males: Resurgent protective paternalism in popular film and television after 9/11. In: Ross, Karen ed. The Handbook of Gender, Sex and Media, Oxford: John Wiley & Sons, pp. 157-173.
Item availability restricted.

Hamad, Hannah 2011. Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. In: Griffin, Sean ed. What Dreams Were Made Of: Movie Stars of the 1940s, Star Decades: American Culture/American Cinema, New Brunswick, New Jersey: Rutgers University Press, pp. 142-165.

Hamad, Hannah 2010. ‘Hollywood’s hot dads’: tabloid, reality and scandal discourses of celebrity postfeminist fatherhood. Celebrity Studies 1 (2) , pp. 151-169. 10.1080/19392397.2010.482270

This list was generated on Thu Oct 22 04:00:37 2020 BST.

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