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Hamad, Hannah 2021. All in the ‘fam’: interrogating kinship networks with the thirteenth Doctor. In: Cherry, Brigid, Hills, Matt and O'Day, Andrew eds. Doctor Who: New Dawn - Essays on the Jodie Whittaker Era, Manchester University Press, |
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Hamad, Hannah 2021. Leeds animation workshop’s give us a smile: a feminist revenge fantasy. [Online]. www.fantasy-animation.org: Fantasy/Animation. Available at: https://www.fantasy-animation.org/current-posts/le... |
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Hamad, Hannah 2021. "Women are angry': remember the feminist protests at UK cinemas of November and December 1980, forty years on. [Online]. Women’s Film & Television History Network-UK/Ireland: WFTHN. Available at: https://womensfilmandtelevisionhistory.wordpress.c... |
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Hamad, Hannah 2021. The origins of the Guardian Women's page. In: Freedman, Des ed. Capitalism's Conscience: 200 Years of the Guardian, Pluto Press, |
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Hamad, Hannah 2020. ‘Nice shoes’: Will Smith, mid-2000s (post) racial discourse and the symbolic significance of shoes in I, Robot (Alex Proyas, 2004) and The Pursuit of Happyness (Gabriele Muccino, 2006). In: Ezra, Elizabeth and Wheatley, Catherine eds. Shoe Reels: The History and Philosophy of Footwear in Film, Edinburgh University Press, |
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Hamad, Hannah 2020. The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire ripper murders. In: Fenwick, James, Foster, Kieran and Eldridge, David eds. Shadow Cinema: The Historical and Production Contexts of Unmade Films, Bloomsbury Academic, |
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Negra, Diane and Hamad, Hannah 2020. The new Plutocratic (post)feminism. In: Cooke, Jennifer ed. The New Feminist Literary Studies, Cambridge University Press, pp. 83-96. |
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Wemyss, Georgie, Yuval-Davis, Nira, Hamad, Hannah, White, Joy, Patel, Karen, Grayson, Deborah and Wedderburn, Alister
2020.
Notes from lockdown: A series of reflections on some of the political and cultural impacts of the pandemic [NHS workers and the UK media].
Soundings: A Journal of Politics and Culture
75
, 13-36(18-21).
10.3898/SOUN.75.01.2020
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Hamad, Hannah 2020. Bromance. The International Encyclopedia of Gender, Media, and Communication, Wiley, (\10.1002/9781119429128.iegmc137) |
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Hamad, Hannah
2020.
BOOK REVIEW: Revisiting the Yorkshire Ripper murders: histories of gender, violence and victimhood, by Louise Wattis, Palgrave Macmillan, 2018.
Feminist Review
125
(1)
, pp. 132-134.
10.1177/0141778920911019
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Gill, Rosalind, Hamad, Hannah, Kauser, Maryam, Negra, Diane and Roshini, Nayomi 2020. Intergenerational feminism and media: a roundtable. In: Keller, Jessalynn, Littler, Jo and Winch, Alison eds. An Intergenerational Feminist Media Studies: Conflicts and Connectivities, Routledge, pp. 170-180. |
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Hamad, Hannah 2020. Gender politics and celebrity. The International Encyclopedia of Gender, Media, and Communication, Wiley, (10.1002/9781119429128.iegmc209) |
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Hamad, Hannah 2020. ''I Will Be with You, Whatever': Blair and Bush's Baghdadi bromance'. In: Brickman, Barbara Jane, Jermyn, Deborah and Trost, Theodore Louis eds. Love Across the Atlantic: US-UK Romance in Popular Culture, Edinburgh: Edinburgh University Press, |
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Hamad, Hannah 2019. Book Review: Jane Arthurs and Ben Little, Russell Brand: comedy, celebrity, politics. European Journal of Cultural Studies 23 (4) , pp. 672-676. 10.1177/1367549419861705 |
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Cobb, Shelley and Hamad, Hannah 2018. “That, My Friend, Is What They Call… Closure”: The one with the Friends finale. In: Howard, Douglas and Bianculli, David eds. Finale: Considering the Ends of Television Series: From Howdy Doody to Girls, Syracuse, New York: Syracuse University Press, |
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Hamad, Hannah 2018. The one with the feminist critique: revisiting millennial postfeminism with Friends. Television and New Media 19 (8) , pp. 692-707. 10.1177/1527476418779624 |
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Cobb, Shelley, Ewen, Neil and Hamad, Hannah 2018. Friends reconsidered: Cultural politics, intergenerationality, and afterlives. Television and New Media 19 (8) , p. 683. 10.1177/1527476418778426 |
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Hamad, Hannah 2018. Book Review: The evolution of black women in television: mammies, matriarchs and mistresses by Imani M. Cheers. Critical Studies in Television 13 (4) , pp. 525-529. 10.1177/1749602018798190d |
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Hamad, Hannah 2018. Celebrity in the contemporary era. In: Elliott, Anthony ed. Routledge Handbook of Celebrity Studies, Routledge International Handbooks, New York and London: Routledge, pp. 44-57. |
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Hamad, Hannah 2018. 'Take four girls'... and diversify them: The evolving intersectionality of call the midwife. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/take-four-girls-and-diversif... |
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Hamad, Hannah 2018. 'You always said you were as good as any doctor' - trust me: a post mid-staffs nurses' revenge fantasy. [Online]. cstonline.net: University of Hertfordshite. Available at: https://cstonline.net/you-always-said-you-were-as-... |
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Hamad, Hannah 2018. Black star: A BFI compendium, edited by James Bell, London, BFI, 2016, 160 pp., £13.99 (paperback), ISBN 978-1-84-457971-6 [Book Review]. Celebrity Studies 9 (3) , pp. 409-411. 10.1080/19392397.2018.1493823 |
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Hamad, Hannah 2018. Introduction: ‘new’ celebrity feminisms, media users’ responses to celebrity coming out narratives and the photographic celebrity memoir. Celebrity Studies 9 (1) , pp. 97-98. 10.1080/19392397.2017.1346048 |
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Hamad, Hannah 2017. Introduction: the ‘quiet charisma’ of Brad Pitt; Trump and Hitler; and Elvis at the O2. Celebrity Studies 10 (2) , pp. 294-295. 10.1080/19392397.2017.1390953 |
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Hamad, Hannah 2017. Introduction: farming fame, memorialising Amy Winehouse, and recuperating Salman Khan. Celebrity Studies 8 (2) , pp. 344-345. 10.1080/19392397.2017.1311626 |
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Hamad, Hannah 2017. Introduction: literary celebrity and politics. Celebrity Studies 8 (1) , p. 151. 10.1080/19392397.2016.1275327 |
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Hamad, Hannah 2016. Introduction: literary celebrity and industry practice. Celebrity Studies 7 (4) , pp. 575-576. 10.1080/19392397.2016.1234809 |
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Hamad, Hannah 2016. Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape. Celebrity Studies 7 (3) , pp. 419-420. 10.1080/19392397.2016.1202660 |
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Hamad, Hannah
2016.
Contemporary medical television and crisis in the NHS.
Critical Studies in Television
11
(2)
, pp. 136-150.
10.1177/1749602016645778
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Hamad, Hannah 2016. Introduction: gal pals, gamers and hacktivists in contemporary cultures of celebrity. Celebrity Studies 7 (2) , pp. 280-281. 10.1080/19392397.2016.1165004 |
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Hamad, Hannah 2016. Introduction: transgender celebrity, celebrity political endorsements, and the practice of celebrity public relations. Celebrity Studies 7 (1) , pp. 113-114. 10.1080/19392397.2016.1131010 |
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Hamad, Hannah 2015. 'Tom Cruise: performing masculinity in post-Vietnam Hollywood' by Ruth O'Donnell [Book Review]. Feminist Media Studies 16 (1) , pp. 186-187. 10.1080/14680777.2016.1120495 |
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Hamad, Hannah 2015. Introduction: intersections of fame, politics and power in the contemporary celebrity mediascape. Celebrity Studies 6 (4) , pp. 601-602. 10.1080/19392397.2015.1092212 |
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Hamad, Hannah 2015. Eddie Murphy’s baby mama drama and Smith family values: the (post-) racial familial politics of Hollywood celebrity couples. In: Cobb, Shelley and Ewen, Neil eds. First Comes Love: Power Couples, Celebrity Kinship and Cultural Politics, London and New York: Bloomsbury, pp. 116-132. |
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Hamad, Hannah
2015.
Girlfriends and postfeminist sisterhood, by Alison Winch, Basingstoke and New York: Palgrave Macmillan, 2013 [Book Review].
Australian Feminist Studies
30
(83)
, pp. 99-101.
10.1080/08164649.2014.998454
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Hamad, Hannah and Taylor, Anthea 2015. Introduction: feminism and contemporary celebrity culture. Celebrity Studies 6 (1) , pp. 124-127. 10.1080/19392397.2015.1005382 |
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Hamad, Hannah 2015. “I’m Not Past My Sell By Date Yet!”: Sarah Jane’s adventures in postfeminist rejuvenation and the later life celebrity of Elisabeth Sladen. In: Jermyn, Deborah and Holmes, Susan eds. Women, Celebrity and Cultures of Ageing: Freeze Frame, Basingstoke and New York: Palgrave Macmillan, pp. 162-177. |
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Bennett, James and Hamad, Hannah 2015. Introduction: new faces, recurrent themes and research agendas. Celebrity Studies 6 (2) , pp. 252-253. 10.1080/19392397.2015.1029772 |
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Hamad, Hannah 2014. Paternalising the rejuvenation of later life masculinity in twenty-first century film. In: Whelehan, Imelda and Gwynne, Joel eds. Ageing, Popular Culture and Contemporary Feminism: Harleys and Hormones, Palgrave Macmillan, pp. 105-119. |
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Hamad, Hannah
2014.
Fairy jobmother to the rescue: postfeminism and the recessionary cultures of reality TV.
In: Negra, Diane and Tasker, Yvonne eds.
Gendering the Recession: Media and Culture in an Age of Austerity,
Durham and London:
Duke University Press,
pp. 223-245.
(10.1215/9780822376538-010)
Item availability restricted. |
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Hamad, Hannah 2014. “Don’t let him take Britain back to the 1980s”: Ashes to Ashes as postfeminist recession television. Continuum , pp. 201-212. 10.1080/10304312.2014.888041 |
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Hamad, Hannah 2013. Postfeminism and paternity in contemporary US film: Framing fatherhood. Advances in Film Studies, New York and London: Routledge. |
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Hamad, Hannah 2013. Age of austerity celebrity expertise in UK reality television. Celebrity Studies 4 (2) , pp. 245-248. 10.1080/19392397.2013.791056 |
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Hamad, Hannah 2013. Hollywood fatherhood: paternal Postfeminism in contemporary popular cinema. In: Gwynne, Joel and Muller, Nadine eds. Postfeminism and Contemporary Hollywood Cinema, Basingstoke and New York: Palgrave Macmillan, pp. 99-115. |
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Hamad, Hannah 2011. Extreme parenting: recuperating fatherhood in Steven Spielberg's War of the Worlds (2005). In: Radner, Hilary and Stringer, Rebecca eds. Feminism at the Movies: Understanding Gender in Contemporary Popular Cinema, London and New York: Routledge, pp. 241-254. |
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Godfrey, Sarah and Hamad, Hannah
2011.
Save the cheerleader, save the males: Resurgent protective paternalism in popular film and television after 9/11.
In: Ross, Karen ed.
The Handbook of Gender, Sex and Media,
Oxford:
John Wiley & Sons,
pp. 157-173.
Item availability restricted. |
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Hamad, Hannah 2011. A tear for Sarah Jane: a feminist aca-obit. Flow TV: A Critical Forum in Media and Culture |
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Hamad, Hannah 2011. Greer Garson: “The Great Story of a Great Woman!” Gallant ladies, and British wartime femininity. In: Griffin, Sean ed. What Dreams Were Made Of: Movie Stars of the 1940s, Star Decades: American Culture/American Cinema, New Brunswick, New Jersey: Rutgers University Press, pp. 142-165. |
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Hamad, Hannah 2011. 'My wife calls him my boyfriend': Gary Barlow and Robbie Williams' reconciliatory bromance. Flow TV: A Critical Forum on Media and Culture |
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Hamad, Hannah 2010. A 'whoniverse' of runaway brides. Flow TV: A Critical Forum on Media and Culture |
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Hamad, Hannah 2010. ‘Hollywood’s hot dads’: tabloid, reality and scandal discourses of celebrity postfeminist fatherhood. Celebrity Studies 1 (2) , pp. 151-169. 10.1080/19392397.2010.482270 |
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Hamad, Hannah 2010. Postfeminist primary colors: coding femininities in media culture. Flow TV: A Critical Forum on Media and Culture |
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Hamad, Hannah 2010. “Attack of boss-zilla!” – female conflict and generational discord in postfeminism’s new monstrous feminine. Flow TV: A Critical Forum on Media and Culture |
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Hamad, Hannah 2009. Dad TV - postfeminism and the paternalization of US television drama. Flow TV: A Critical Forum on Media and Culture |
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Hamad, Hannah 2007. 'The position of annoying talking animal has already been taken!' The unspeakability of race in the rearticulated star persona of Eddie Murphy. In: McDonald, Tamar Jeffers and Wells, Elisabeth eds. Realities and Remediations: The Limits of Representation in Film, Newcastle-Upon-Tyne: Cambridge Scholars Press, pp. 45-63. |
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