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Number of items: 23.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2024. ‘More Than Just Telling Sories’. Everyday lives in the films of Kurt Teztlaff. Allan, Sean and Heiduschke, Sebastian, eds. Documenting Socialism: East German Perspectives on Documentary Film, Berghahn Books,

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2024. Construction, demolition, extirpation? The palast der republik and the conflicting desires of german unification. German Life and Letters
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Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2019. Futures remembered: Kosmonauts, the GDR, and the retrospective impulse. Skrodzka, Aga, Lu, Xiaoning and Marciniak, Katarzyna, eds. The Oxford Handbook of Communist Visual Cultures, Oxford Handbooks, Oxford: Oxford University Press, (10.1093/oxfordhb/9780190885533.013.28)

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2018. 'Like a Dream': Film, fears, fantasies and nightmares of the Wende. Byrnes, Deirdre, Conacher, Jean E. and Holfter, Gisela, eds. Reunification and the Legacy of East-German Literature and Culture, Brill, pp. 17-32.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X and Thakkar, Amit, eds. 2017. Scars and wounds: film and legacies of trauma. Basingstoke: Palgrave Macmillan. 10.1007/978-3-319-41024-1

Preece, Julian and Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X, eds. 2017. Andreas Dresen. Contemporary German Writers and Filmmakers, Peter Lang.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2017. Introduction: Trauma studies, film and the scar motif. Hodgin, Nicholas and Thakkar, Amit, eds. Scars and Wounds: Film and Legacies of Trauma, Basingstoke: Palgrave, pp. 1-29.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2017. Proximity and distance: approaching trauma in Katrina Films. Hodgin, Nicholas and Thakkar, Amit, eds. Scars and Wounds: Film and Legacies of Trauma, Basingstoke: Palgrave, pp. 101-126.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2016. DEFA's Last Gasp. Ruins, Melancholy and the End of East German Filmmaking. Allan, Sean and Heiduschke, Sebastian, eds. RE-Imagining DEFA East German Cinema in its National and Transnational Contexts, Berghahn Books, pp. 271-292.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2016. The cosmopolitan Communist: Joris Ivens, transnational film-maker before transnationalism? Transnational Cinemas 7 (1) , pp. 34-49. 10.1080/20403526.2016.1140947

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2015. 'Only one noble topic remained: the workers.' Sympathy, subtlety and subversion in East German documentary films. Studies in Eastern European Cinema 6 (1) , pp. 49-63. 10.1080/2040350X.2014.992130

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2015. East Germany revisited, reimagined, repositioned: Representing the GDR in Dominik Graf's Der rote Kakadu (2005) and Christian Petzold's Barbara (2012). Gott, Michael and Herzog, Todd, eds. East, West and Centre: Reframing post-1989 European Cinema, Edinburgh: Edinburgh University Press, pp. 237-252.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2015. In praise of authenticity? Atmosphere, song, and Southern states of mind in Searching for the Wrong-eyed Jesus. Mazierska, Ewa and Gregory, Georgina, eds. Relocating Popular Music, Pop Music, Culture and Identity, Basingstoke: Palgrave Macmillan, pp. 186-206. (10.1057/9781137463388_10)

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2014. Cannibals, carnival and clowns: the grotesque in German unification films. Studies in Eastern European Cinema 5 (2) , pp. 124-138. 10.1080/17411548.2014.925333

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2014. Alternative realities and authenticity in DEFA's documentary films. Silberman, Marc and Wrage, Henning, eds. DEFA at the Crossroads of East German and International Film Culture: A Companion, Companions to Contemporary German Culture, Berlin and Boston: Walter de Gruyter, pp. 281-304.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2011. Aiming to please? Consensus and consciousness-raising in Wolfgang Becker's Good Bye, Lenin! (2003). Cooke, Paul and Homewood, Chris, eds. New Directions in German Cinema, Taurus World Cinema Series, I.B. Tauris, pp. 94-112.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2011. Screening the East: Heimat, memory and nostalgia in German film since 1989. Film Europa, Berghahn Books.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline, eds. 2011. The GDR remembered: Representations of the East German state since 1989. Studies in German Literature Linguistics and Culture, Camden House.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2011. Screening the Stasi: the politics of representation in postunification film. Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline, eds. The GDR Remembered: Representations of the East German State since 1989, Camden House/Boydell&Brewer, pp. 69-92.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline 2011. Introduction. Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X and Pearce, Caroline, eds. The GDR Remembered: Representations of the East German State since 1989, Camden House/Boydell&Brewer, pp. 1-16.

Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2010. Eastern blues, southern comforts: searching for Heimat on the Bayous. Mississippi Quarterly 3-4 , pp. 512-534.

Hodgin, Nicholas ORCID: https://orcid.org/0000-0002-7762-719X 2007. Marginalized subjects, mainstream objectives: insights on outsiders in recent German Film. New Readings 8 , pp. 1-21. 10.18573/newreadings.55
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Hodgin, Nick ORCID: https://orcid.org/0000-0002-7762-719X 2006. Berlin is in Germany and good bye Lenin! taking leave of the GDR? Debatte: Journal of Contemporary Central and Eastern Europe 12 (1) , pp. 25-45. 10.1080/0965156042000230106

This list was generated on Tue Mar 19 04:01:56 2024 GMT.