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Number of items: 34.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Busoni, Schoenberg et Gottfried Galston : perspectives sur la pratique d’interprétation pianistique au début du xxe siècle. Rieben, Nancy, ed. Quelles sources pour l'analyse d'un choix interprétatif ?, Chateau-Gontier: Éditions Aedam Musicae, pp. 161-189.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Do They Still Hate Horowitz? The Last Romantic Revisited. Seskir, Sezi and Kim, David Hyun-su, eds. Topics in Musical Interpretation, New York: Routledge, pp. 172-197.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2022. Chopin-Liszt: Paradoxes of reception and performance history in the Polonaise op.53 and Funérailles. Samson, Jim and Chechlińska, Zofia, eds. The Integration of a Work: From Miniature to Large Scale, Warsaw: Fryderyk Chopin Institute, pp. 241-269.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Kenneth Hamilton plays Liszt, volume 1: Death and Transfiguration. [Audio CD]. 26 November 2021. ID number: PFCD167/168.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2021. Romantic piano encores: Grainger, Godowsky, Mendelssohn and more. [Audio CD and Online Recording]. 28 May 2021. ID number: PFCD160.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Après une Lecture du Czerny? Liszt’s creative virtuosity. Doran, Robert, ed. Liszt and Virtuosity, Eastman Studies in Music, New York: University of Rochester Press, pp. 41-92. (10.2307/j.ctvxhrkq3.6)

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. Do they still hate Horowitz?: The "last romantic" revisited. Journal of Musicological Research 39 (2-3) , pp. 246-271. 10.1080/01411896.2020.1774755
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Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2020. More preludes to Chopin: nocturnes, waltzes and other works. 2020.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson Volume 2. [CD]. 12 July 2019. ID number: PFCD107.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. Kenneth Hamilton plays Ronald Stevenson, volume 2. 12 July 2019.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2019. John Casken: Six Wooded Pieces (on CD Stolen Airs). [CD]. 2019.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Preludes to Chopin - sonatas, barcarolle, polonaise. 5 October 2018. ID number: PFCD084.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Ferruccio Busoni. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Richard Wagner. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Eugen d'Albert. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Friedrich Kalkbrenner. Lawson, Colin and Stowell, Robin, eds. The Cambridge Companion of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Adolph Kullak. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2018. Theodor Leschetizky. Lawson, Colin and Stowell, Robin, eds. The Cambridge Encyclopedia of Historical Performance in Music, Cambridge University Press,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Franz Liszt defended against his devotees. Keyboard Perspectives 10 , pp. 129-153.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2017. Liszt, Rachmaninov, Busoni: Back to Bach - Tributes and transcriptions. [Audio CD]. 19 May 2017. ID number: B06XX6MTNQ.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2016. Mendelssohn: fantasie über "The Last Rose of Summer", op.15. Geuting, Herausgegeben von Matthias, ed. Felix Mendelssohn Bartholdy. Interpretationen seiner Werke, Laaber Verlag,

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2016. Kenneth Hamilton plays Ronald Stevenson, Volume 1. 2016.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2015. Franz Liszt: Totentanz for Piano and Orchestra. 2015.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2014. "Nach persönlichen Erinnerungen": Liszt's long-ignored legacy to his students. Deaville, James and Saffle, Michael, eds. Liszt's Legacies, Franz Liszt Studies, Hillsdale, NY: Pendragon Press, pp. 83-96.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2013. The embarrassment of influence: Liszt, Paris and posterity. Haine, Malou, Dufetel, Nicolas, Gooley, Diana and Kregor, Jonathan, eds. Liszt et La France: Musique, culture et société dans l'Europe du XIXe siècle, Musicologies, Paris: Editions Vrin, pp. 59-79.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. The sufferings and greatness of Franz Liszt. Saffle, M., Tibbetts, J. C. and McKinney, C., eds. Liszt: A Chorus of Voices, Franz Liszt Studies, vol. 13. Hillsdale, NY: Pendragon Press, pp. 141-149.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2012. Os alunos de Liszt tocando Liszt - o que nos dizem gravações históricas [A Dance around Liszt's Totentanz]. Presented at: GuimaraMUS – Congresso Musical de Guimarães, Guimarães, Portugal, 23-25 March 2012.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2010. Cara a cara con Chopin: Enfoques Interpretativos de Pianistas del Pasado [Confronting Chopin: Performance Approaches by Pianists of the Past]. Quodlibet: Rivista de especializacion Musical (47) , pp. 46-71.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Wagner and Liszt: Elective affinities. Grey, Thomas S., ed. Richard Wagner and His World, Princeton, NJ: Princeton University Press, pp. 27-64.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2009. Beethoven's 'Tempest' sonata in performance. Bergé, Pieter, D'Hoe, Jeroen and Caplin, William E., eds. Beethoven's 'Tempest' Sonata: Perspectives of Analysis and Performance, Analysis in Context. Leuven Studies in Musicology, vol. 2. Leuven: Peeters, pp. 127-163.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. Mendelssohn and the piano. Reichwald, Siegwart, ed. Mendelssohn in Performance, Bloomington, IN: Indiana University Press, pp. 19-40.

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 2008. After the Golden Age: Romantic pianism and modern performance. Oxford: Oxford University Press. 10.1093/acprof:oso/9780195178265.001.0001

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849, ed. 2005. The Cambridge Companion to Liszt. Cambridge Companions to Music, Cambridge: Cambridge University Press. 10.1017/CCOL9780521622042

Hamilton, Kenneth ORCID: https://orcid.org/0000-0001-9831-4849 1996. Liszt: Sonata in B Minor. Cambridge Music Handbooks, Cambridge: Cambridge University Press. 10.1017/CBO9780511620133

This list was generated on Thu Mar 28 07:59:51 2024 GMT.