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Number of items: 21.

Griffiths, Kate 2020. Emile Zola and the art of television: Adaptation, recreation, translation. Cambridge: Legenda.

Griffiths, Katherine 2019. Therese Raquin and the anxieties of adaptation. In: Lewis, Ann and Arnold-de Simine, Silke eds. Adapting the Canon: Mediation, Visualization, Cambridge: Legenda,

Griffiths, Katherine 2014. Radio and the space of adaptation: Diana Griffiths's Madame Bovary (Radio 4, 2006). Dix Neuf 18 (2) , pp. 211-223. 10.1179/1478731814Z.00000000054

Griffiths, Katherine 2013. Visions and revisions: Pierre Cardinal's L'Oeuvre. In: Harrow, Susan R. ed. The Art of Text, Cardiff: University of Wales Press, pp. 171-185.

Griffiths, Katherine 2013. Spectral cinema: Le journal d’une femme de chambre. In: Stone, Rob and Gutiérrez Albilla, Julián Daniel eds. A Companion to Luis Buñuel, Wiley-Blackwell Companions to Film Directors Series, Wiley-Blackwell, pp. 399-413.

Griffiths, Katherine and Watts, Andrew 2013. Adapting nineteenth century France: literature in film, theatre, television, radio and print. French and Francophone Studies, Cardiff: University of Wales Press.

Griffiths, Katherine 2011. Memories in/of Thérèse Raquin: Émile Zola and Marcel Carné. French Studies 65 (2) , pp. 188-199. 10.1093/fs/knq250

Griffiths, Katherine 2011. Mythical returns: televising Therese Raquin. Nineteenth-Century French Studies 39 (3-4) , pp. 285-295. 10.1353/ncf.2011.0016

Evans, David and Griffiths, Katherine, eds. 2011. Institutions and power in nineteenth-century French literature and culture. Amsterdam / New York: Rodopi.

Griffiths, Katherine and Evans, David, eds. 2009. Haunting presences: Ghosts in French literature and culture. Cardiff: University of Wales Press.

Griffiths, Katherine 2009. Emile Zola and the artistry of adaptation. London: Legenda.

Evans, David and Griffiths, Katherine, eds. 2008. Pleasure and pain in nineteenth-century French literature and culture. Amsterdam / New York: Rodopi.

Griffiths, Katherine 2007. Borrowed identities: Mathieu Kassovitz and Djamel Bensalah. New Cinemas 4 (3) , pp. 185-195. 10.1386/ncin.4.3.185_1

Doughty, R. and Griffiths, Katherine 2006. Racial reflection: La Haine and the art of borrowing. Studies in European Cinema 3 (2) , pp. 117-127. 10.1386/seci.3.2.117_1

Griffiths, Katherine 2006. The ghost of the author: Zola, Renoir and La Bête humaine. Excavatio 21 (1-2) , pp. 239-250.

Griffiths, Katherine 2006. Descartes and Lacan: Print and the subject of citation. New Zealand Journal of French Studies 27 , pp. 16-28.

Griffiths, Katherine and Rorato, L. 2006. Voicing difference: An interview with Silvia Ricci Lempen. In: Charnley, J. and Pender, M. eds. Exercises in Translation: Swiss-British Cultural Interchange, Oxford: Peter Lang, pp. 89-106.

Griffiths, Katherine 2005. Hunt the author: Vadim, Zola and La Curée. Studies in European Cinema 2 (1) , pp. 7-17. 10.1386/seci.2.1.7/1

Griffiths, Katherine 2003. Scribbling ghosts: The textual spectres and spectral texts of Émile Zola. In: Horn, J. and Russell-Watts, L. eds. Possessions: Essays in French Literature, Cinema and Theory, Modern French Identities, vol. 24. Oxford: Peter Lang, pp. 51-65.

Griffiths, Katherine 2003. Mimesis and mimeticism: Mimicking gods in the work of Emile Zola. In: Thompson, Hannah ed. New Approaches to Zola: Selected Papers from the 2002 Cambridge Centenary Colloquium, London: Emile Zola Society, pp. 21-41.

Griffiths, Katherine 2002. The haunted mirrors of Emile Zola and Guy de Maupassant. Bulletin of the Emile Zola Society 26 , pp. 3-13.

This list was generated on Mon Oct 14 09:52:00 2019 BST.