Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
WelshClear Cookie - decide language by browser settings

Browse by All Cardiff Authors

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Number of items: 67.

Rowden, Clair 2019. Deferent daisies: Caroline Miolan Carvalho, Christine Nilsson and Marguerite, 1869. Cambridge Opera Journal 30 (2-3) , pp. 237-258. 10.1017/S0954586719000089
file

Rowden, Clair 2018. Reinventing 'Carmen'. Opera 69 (2) , pp. 139-144.

Rowden, Clair and Langham Smith, Richard 2018. Carmen abroad: The when and where of Carmen performances, 1875-1945. [Online]. Cardiff University. Available at: http://www.carmenabroad.org/

Niccolai, Michela and Rowden, Clair, eds. 2017. Musical theatre in Europe 1830-1945. Turnhout: Brepols.

Rowden, Clair and Niccolai, Michela 2017. Introduction. In: Rowden, Clair and Niccolai, Michela eds. Musical Theatre in Europe 1830-1945, Brepols,

Rowden, Clair 2017. Parodying opera in Paris: Tannhäuser on the popular stage, 1861. In: Kauppala, A, Hesselager, J and Broman-Kananen, U-B eds. Tracing Operatic and Theatrical Performances in the Long 19th Century, Helsinki: Sibelius Academy, pp. 43-82.

Rowden, Clair 2017. Du petit au grand: Faust on Parisian stages, 1869. In: Niccolai, Michela and Rowden, Clair eds. Musical Theatre in Europe 1830-1945, Turnhout: Brepols,

Rowden, Clair 2016. In the power of Venus, yet in union with Christ: Jules Massenet’s ‘comédie lyrique’ Thaïs’, Salzburger Festspiele programme (Austria) [Programme note]. Salzburger Festspiele programme.

Rowden, Clair Sophie 2015. Loie Fuller and Salome: The unveiling of a myth. In: Lee, Hyunseon and Segal, Naomi eds. Opera, Exoticism and Visual Culture, Cultural Interactions: Studies in the Relationship between the Arts, vol. 34. Peter Lang, pp. 93-110.

Rowden, Clair 2015. ‘From the fairground to the heights of French art : Opéra comiqueand Le Pré aux clercs’, 64th Wexford Festival Opera 2015 Season programme [Programme notes]. 64th Wexford Festival Opera 2015 Season programme.

Rowden, Clair Sophie 2014. 'Thais': adaptation, degeneration and intermediality. Dix-Neuf 18 (2) , pp. 134-149. 10.1179/1478731814Z.00000000049

Rowden, Clair Sophie 2014. La Dramaturgie de Gustave Charpentier. By Michela Niccolai. Music and Letters 95 (2) , pp. 299-302. 10.1093/ml/gcu025

Rowden, Clair Sophie 2014. The other 'Salome'. Opera , pp. 1234-1241.

Rowden, Clair Sophie 2014. Memorialisation, commemoration et commercialisation: Massenet et la caricature. In: Branger, Jean-Christophe and Giroud, Vincent eds. Massenet aujourd’hui : Héritage et postérité, Publications de l'Universite de Saint-Etienne, pp. 39-64.

Rowden, Clair Sophie 2014. Wilde's 'Salome': a very modern French affair. Wexford Festival Opera.

Bizet, George 2014. Carmen. [Musical Score: Vocal Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie. London: Edition Peters.

Rowden, Clair Sophie 2013. Whose/who's Salome? Natalia Trouhanowa, a dancing diva. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 71-98.

Rowden, Clair Sophie, ed. 2013. Performing Salome, revealing stories. Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate.

Rowden, Clair Sophie 2013. Introduction. In: Rowden, Clair Sophie ed. Performing Salome, Revealing Stories, Ashgate Interdisciplinary Studies in Opera, Aldershot: Ashgate, pp. 1-14.

Rowden, Clair Sophie 2013. Memorialisation, commemoration and commodification: Massenet and caricature. Cambridge Opera Journal 25 (2) , pp. 139-163. 10.1017/S0954586713000049
file

Rowden, Clair Sophie, Axon, Louise and Varvir Coe, Megan, eds. 2013. Salome. [Online]. Francophone Music Criticism 1789-1914. Available at: http://music.sas.ac.uk/fmc

Rowden, Clair Sophie 2013. Jann Pasler, ed., Camille Saint-Saëns and his world. Princeton and Oxford: Princeton University Press, 2012. [Book Review]. H-France Review 13 (40) , pp. 1-7.

Rowden, Clair Sophie 2013. Choral music and music making in France. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, Abingdon. Oxon: Routledge, pp. 205-212.

Bizet, George 2013. Carmen. [Musical Score]. Edited by Langham Smith, R. and Rowden, Clair Sophie. Edition Peters.

Rowden, Clair Sophie 2012. The Choral Music of Félicien David, Charles Gounod, and Jules Massenet. In: Di Grazia, Donna M. ed. Nineteenth-Century Choral Music, Routledge Studies in Musical Genres, London: Routledge,

Rowden, Clair Sophie 2012. La Reception des Pecheurs de Perles [Programme note]. Opera Comique, Paris , pp. 71-76.

Rowden, Clair Sophie 2011. The End of the Fairytale [Programme note]. Cendrillon, London: Royal Opera House, pp. 12-19.

Rowden, Clair Sophie 2011. Salome and modern opera: a Parisian perspective. In: Brosche, Günter, May, Jürgen, Internationale Richard Strauss-Gesellschaft, Wien and Richard Strauss-Institut, Garmisch-Partenkirchen eds. Richard Strauss-Jahrbuch 2011: Richard Strauss im Europäischen Kontext, Tutzing: Hans Schneider, pp. 163-176.

Moore, Rachel, Hamer, Laura and Branger, Aurélie Hibberd, Sarah, Rowden, Clair Sophie and Everist, Mark, eds. 2011. Complete criticism of Joseph d’Ortigues. [Online]. Francophone Music Criticism 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Moore, Rachel and Rowden, Clair Sophie, eds. 2011. Massenet, La Navarraise. Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Moore, Rachel and Rowden, Clair Sophie, eds. 2011. Mascagni, Cavalleria rusticana, Paris premiere. Dossier de presse. [Online]. Francophone Music Criticism, 1789-1914: Institute of Musical Research. Available at: http://music.sas.ac.uk/fmc/collections.html

Rowden, Clair Sophie 2011. Annegret Fauser & Mark Everist (eds.), Music, Theater, and Cultural Transfer: Paris 1830-1914 (University of Chicago Press, 2009), 439 pp. ISBN-13: 978-0-226-23926-2. [Book Review]. H: France 11 (99)

Rowden, Clair Sophie 2010. 'Les Pêcheurs' and the Parisian Press [Programme note]. Les Pêcheurs de Perles, London: Royal Opera House, pp. 27-34.

Rowden, Clair Sophie 2010. A Source of Lyricism [Programme note]. Roméo et Juliette, London: Royal Opera House, pp. 32-36.

Rowden, Clair Sophie 2010. Sentiment and Reminiscence [Programme note]. Manon, London: Royal Opera House, pp. 25-31.

Rowden, Clair Sophie 2010. Loïe Fuller et Salomé: Les drames mimés de Gabriel Pierné et de Florent Schmitt. In: Branger, Jean-Christophe ed. Musique et Chorégraphie en France de Léo Delibes à Florent Schmitt, Musicologie - Cahiers de l'Esplanade, vol. 6. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 215-259.

Rowden, Clair Sophie 2010. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays. By Robert Ignatius Letellier. [Book Review]. Music and Letters 91 (3) , pp. 441-444. 10.1093/ml/gcq031

Rowden, Clair Sophie 2010. Andreas Giger, Verdi and the French Aesthetic: Verse, Stanza, and Melody in Nineteenth-Century Opera (Cambridge: Cambridge University Press, 2009). x + 294pp. £52.00 [Book Review]. Nineteenth-Century Music Review 7 (2) , pp. 129-132. 10.1017/S1479409800003657
file

Rowden, Clair Sophie 2009. Opera, caricature and the unconscious: Massenet’s 'Thaïs', a case study. Music in Art: International Journal for Music Iconography XXXIV (1-2) , pp. 274-289.

Rowden, Clair Sophie 2009. Alexandra Wilson, The Puccini Problem: Opera, Nationalism and Modernity (Cambridge: Cambridge University Press, 2007), ISBN 978-0-521-85688-1 (hb) [Book Review]. twentieth-century music 6 (1) , pp. 115-118. 10.1017/S1478572210000083
file

Rowden, Clair Sophie 2008. Massenet and the 'Manon' score [Programme note]. Manon, London: Royal Opera House presents The Royal Ballet, pp. 19-24.

Rowden, Clair Sophie 2008. Decentralisation and regeneration at the Théâtre des Arts, Rouen, 1889-1891. Revue de Musicologie 94 (1) , pp. 139-180.

Rowden, Clair Sophie 2008. French Music Since Berlioz [Book Review]. Musicology Australia 30 (1) , pp. 135-140. 10.1080/08145857.2008.10416749

Rowden, Clair Sophie 2008. Berlioz and Debussy: Sources, Contexts and Legacies: Essays in Honour of François Lesure [Book Review]. Musicology Australia 30 (1) , pp. 141-143. 10.1080/08145857.2008.10416750

Rowden, Clair Sophie 2007. Cinderella takes a Roman holiday [programme note]. La Cenerentola, London: Royal Opera House, pp. 9-12.

Rowden, Clair Sophie 2007. Werther, La Navarraise and Verismo: A Matter of Taste. Franco - British Studies: journal of the British Institute in Paris 37 , 3 -34.

Rowden, Clair Sophie 2007. Massenet and 'Thaïs': the religious context [programme note]. Thaïs, London: Royal Opera House, pp. 29-33.

Rowden, Clair Sophie 2006. L'amour sacré et le sacre de l'amour: l'homme saint chez Massenet. In: Ramaut, Alban and Branger, Jean-Christophe eds. Opéra et Religion sous la IIIe République, Travaux, vol. 129. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 257-284.

Rowden, Clair Sophie 2006. David Charlton (ed.), The Cambridge Companion to Grand Opera (Cambridge: Cambridge University Press, 2003). 496 pp. $29.99 [Book Review]. Nineteenth-Century Music Review 3 (1) , pp. 122-125. 10.1017/S1479409800000380
file

Rowden, Clair Sophie 2004. 'Werther' at home and abroad [programme note]. Werther, London: Royal Opera House, pp. 43-48.

Rowden, Clair Sophie 2004. 'The island’s full of noises, sounds and voices': l’écriture vocale de Thomas Adès [Programme note]. Avant-Scène Opéra: Thomas Adès 'The Tempest', vol. 222. Paris: Avant-Scène Opéra, pp. 80-83.

Rowden, Clair Sophie 2004. Republican morality and Catholic tradition in opera: Massenet's Hérodïade and Thaïs. Etudes sur l'opéra français du XIXème siècle, vol. 6. Weinsberg: Musik-Edition Lucie Galland.

Rowden, Clair Sophie 2004. Paris – Londres : 'La Navarraise' face à la presse. In: Branger, Jean-Christophe and Ramaut, Alban eds. Le Naturalisme sur la scène lyrique, Musicologie - Cahiers de L'Esplanade, vol. 3. Saint-Etienne: Publications de l’Université de Saint-Etienne, pp. 106-128.

Rowden, Clair Sophie 2004. Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb) [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 112-115. 10.1017/S1479409800001415
file

Rowden, Clair Sophie 2004. Meyerbeer [Book Review]. Nineteenth-Century Music Review 1 (2) , pp. 139-141. 10.1017/S1479409800001506
file

Rowden, Clair Sophie 2003. Explosive Opera: 'La Navarraise' face à la critique londonienne [Programme note]. Avant-Scène Opéra: Massenet 'Sapho', 'La Navarraise', Paris: Avant-Scène Opéra, pp. 80-81.

Rowden, Clair Sophie 2003. Thais [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Hérodiade [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Cendrillon [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Grisélidis [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. La Navarraise [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Le Jongleur de Notre-Dame [Dictionary article]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Chérubin [Dictionary entry]. In: Fauquet, Joël-Marie ed. Dictionnaire de la musique en France au XIXe siècle, Paris: Fayard,

Rowden, Clair Sophie 2003. Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 [Book Review]. Music and Letters 84 (2) , pp. 300-302. 10.1093/ml/84.2.300

Rowden, Clair Sophie 2002. 'Hérodiade': Church, State and the Feminist Movement. Presented at: Tenth International Conference on Nineteenth-Century Music, Bristol, UK, July 1998. Published in: Samson, Jim and Zon, Bennett eds. Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference. London: Ashgate, pp. 250-278.

Rowden, Clair Sophie, ed. 2000. Jules Massenet, Thaïs: dossier de presse parisienne (1894). Critiques de l'opéra français du XIXe siècle, Heilbronn: Musik-Edition Lucie Galland.

Rowden, Clair Sophie 1998. 'Hérodiade': anticlerical, imperial or republican opera? British Postgraduate Musicology 2 , pp. 2-15.

This list was generated on Sat Dec 14 10:38:07 2019 GMT.