Cardiff University | Prifysgol Caerdydd ORCA
Online Research @ Cardiff 
WelshClear Cookie - decide language by browser settings

Televised public drama: the creation of 9/11

Kovacevic, Petra and Perisin, Tena 2014. Televised public drama: the creation of 9/11. Croatian Political Science Review 51 (4) , pp. 117-141.

[thumbnail of Kovacevic_Perisin_TELEVISED PUBLIC DRAMA. THE CREATION OF 9-11_CROATIAN.pdf]
Preview
PDF - Accepted Post-Print Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.

Download (438kB) | Preview

Abstract

Almost seventy years ago German philosophers Max Horkheimer and Theodor Adorno predicted the immense influence of capitalism and commercialization on media systems and media content. Today commodification and the hunger for fun, spectacle, shock and emotions have become an intrinsic part of media offer and consumption. The central place belongs to television and the transformation of the news industry into packages of high-emotional stories, very often in sequels. Spectacle, strong emotional bond and empathetic members of audience are important elements of what media expert Brian A. Monahan calls public drama – a new hybrid form of television news. The American mainstream media transformed the terrorist attack on the USA on the 11th of September 2001 into “9/11” – a series of dramatic and emotional stories which imposed certain frames of understanding of what happened – and which were built into the cultural memory. In the first few hours after the attack the core of the 9/11 narrative was born: moral shock, a strong emotional bond with the victims of the attacks, transformation of rescuers into heroes, a feeling of love and togetherness among Americans, along with worldwide compassion. Emphasis was put on emotions, fear and a sort of spectacle of crisis, with little discussion about responsibility and critical evaluation of the reasons behind the attacks. Focus on human tragedies, fear and panic are immersed in a wider story about terrorist attacks which is a big threat to America. The power of television and its pictures to form and impose frames of understanding events is huge, along with the long-term consequences this can have on the audience, but politics as well.

Item Type: Article
Date Type: Publication
Status: Published
Schools: Journalism, Media and Culture
Language other than English: Croatian
ISSN: 0032-3241
Date of First Compliant Deposit: 11 September 2019
Last Modified: 11 Nov 2023 07:23
URI: https://orca.cardiff.ac.uk/id/eprint/124131

Actions (repository staff only)

Edit Item Edit Item

Downloads

Downloads per month over past year

View more statistics